Prohibition of Negation and Censorship without Subject : A Theoretical Consideration for Cultural Flows between Korea and Japan after World War II

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Other Title
  • 否認する「禁止」と主体なき「検閲」 : 戦後日韓の文化越境をめぐる理論的考察
  • ヒニン スル 「 キンシ 」 ト シュタイ ナキ 「 ケンエツ 」 : センゴ ニッカン ノ ブンカ エッキョウ オ メグル リロンテキ コウサツ
Published
2014-03-18
Resource Type
departmental bulletin paper
Rights Information
  • Creative Commons Attribution-NonCommercial-ShareAlike 2.1 Japan
Publisher
北海道大学大学院国際広報メディア・観光学院

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Description

This paper theoretically approaches the process of historical change in South Korea's ban on Japanese popular culture. By examining “the collective emotional ambivalence” with concepts of “censorship,” “collective (un)conscious,” and “disavowal,” this paper investigates the shaping process of “the post-colonial subject” who both denies and desires the other's culture. All this argues that the subject possessing a collective conscience and emotion toward the other is cultural production through the development process of the mass media, the arena for the struggles and contradictions of complicated conditions responsible for constructing the globally, nationally, and locally penetrating concept of the “nation.”

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