書誌事項
- タイトル別名
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- A composer's discourse and his compositions
- 音楽を「語ること」と「生み出すこと」との間--柴田南雄における言語表現とシアター・ピース
- オンガク オ カタル コト ト ウミダス コト ト ノ アイダ シバタ ミナオ
- SHIBATA Minao's discourse and his theatre pieces
- 柴田南雄における言語表現とシアター・ピース
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説明
This paper examines some of the issues in research on a composer's discourse and his compositions. To accomplish this purpose, discussion is made of the composer SHIBATA Minao, one of the most important of Japan's contemporary composers, who has written a great number of essays and/or programme notes about his own compositions, especially about his choral, or theatre pieces. His discourse about his compositions can be understood without ambiguity, and therefore has a significant effect upon their performance. This characteristic of his discourse makes it possible to examine the relationship between his discourse and his compositional output. Two aspects are dealt with: 1. the temporal structure of his compositions; and 2. the variety of voice types used in them. Another aspect of his theatre pieces is that they always require a high level of spontaneity of the performers. It may be said, then, that his compositions have two distinctive characteristics: 1. the composer himself gives clear information about his compositions, and 2. in their performance the composer retreats into the background and a high level of spontaneity is required of the performers. It is possible to observe a degree of dissimilarity, perhaps even a paradoxical relationship, between his discourse on the theatre pieces and actual performance of them. A possible explanation of this phenomenon may lie in the prescriptive nature of his discourse and scores, while the phenomenon itself may be the essence of Shibata's compositions.
収録刊行物
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- 東洋音楽研究
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東洋音楽研究 1993 (58), 1-15,L1, 1993-08-31
社団法人 東洋音楽学会
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詳細情報 詳細情報について
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- CRID
- 1390001205337182976
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- NII論文ID
- 130003849556
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- NII書誌ID
- AN00169676
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- ISSN
- 18840272
- 00393851
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- NDL書誌ID
- 3532330
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
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- 使用不可