{"@context":{"@vocab":"https://cir.nii.ac.jp/schema/1.0/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/","foaf":"http://xmlns.com/foaf/0.1/","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","datacite":"https://schema.datacite.org/meta/kernel-4/","ndl":"http://ndl.go.jp/dcndl/terms/","jpcoar":"https://github.com/JPCOAR/schema/blob/master/2.0/"},"@id":"https://cir.nii.ac.jp/crid/1390001205779448192.json","@type":"Article","productIdentifier":[{"identifier":{"@type":"DOI","@value":"10.20620/nihonbungaku.55.1_51"}},{"identifier":{"@type":"NDL_BIB_ID","@value":"7797276"}},{"identifier":{"@type":"URI","@value":"http://id.ndl.go.jp/bib/7797276"}},{"identifier":{"@type":"URI","@value":"https://ndlsearch.ndl.go.jp/books/R000000004-I7797276"}},{"identifier":{"@type":"NAID","@value":"110009885952"}}],"dc:title":[{"@language":"ja","@value":"『新世紀エヴァンゲリオン』における物語世界の構成 : メディアミックス作品論の可能性(<特集>加工行為としての<文学>)"},{"@language":"en","@value":"The Four Narrative Structures of Neon Genesis Evangelion : How the Multimedia Text Can Be Read(<Special Issue>Literature as the Act of Reworking)"},{"@value":"『新世紀エヴァンゲリオン』における物語世界の構成--メディアミックス作品論の可能性"},{"@language":"ja-Kana","@value":"シン セイキ エヴァンゲリオン ニ オケル モノガタリ セカイ ノ コウセイ メディアミックス サクヒンロン ノ カノウセイ"}],"dc:language":"ja","description":[{"type":"abstract","notation":[{"@language":"en","@value":"The aim of this article is to suggest a way of comprehensively understanding the animation and multimedia text Neon Genesis Evangelion. The story is built on the four narrative structures, all of which seemingly have a contradictory relation to each other. Such a parallel arrangement of narrations is repeated in the computer-game version of the animation. But despite an apparent disconnection between the structures, or rather just because of it, a sort of interaction is eventually brought about among them. Thus it would be almost impossible to fully interpret a multimedia text like Evangelion without understanding the nature of its contradictory and complicated narrative strategy."},{"@language":"ja","@value":"メディアミックス作品を統合的に把握するために、『新世紀エヴァンゲリオン』を分析する。一連のアニメには互いに矛盾を持つ四つの物語世界が含まれている。これらはコンピューターゲームの事例でも踏襲され、ストーリーの分岐は物語世界の並立を明示している。その意味で、物語世界は一作品に複数措定しうるが無関係の分立ではなく、それらの間に表現や描写の矛盾として現れる交渉があることがわかる。こうした物語世界の性質を踏まえることが、メディアミックスの理解に一定の可能性を切り開くことになる。"}],"abstractLicenseFlag":"disallow"}],"creator":[{"@id":"https://cir.nii.ac.jp/crid/1420282801186421632","@type":"Researcher","personIdentifier":[{"@type":"KAKEN_RESEARCHERS","@value":"40582705"},{"@type":"NRID","@value":"1000040582705"},{"@type":"NRID","@value":"9000282784614"},{"@type":"NRID","@value":"9000414379887"},{"@type":"NRID","@value":"9000412211944"},{"@type":"NRID","@value":"9000410743523"},{"@type":"NRID","@value":"9000412549234"},{"@type":"NRID","@value":"9000408797212"},{"@type":"RESEARCHMAP","@value":"https://researchmap.jp/yokohamayuji"}],"foaf:name":[{"@language":"ja","@value":"横濱 雄二"},{"@language":"en","@value":"Yokohama Yuji"}],"jpcoar:affiliationName":[{"@language":"ja","@value":"北海道大学大学院"}]}],"publication":{"publicationIdentifier":[{"@type":"PISSN","@value":"03869903"},{"@type":"EISSN","@value":"24241202"},{"@type":"NDL_BIB_ID","@value":"000000018917"},{"@type":"ISSN","@value":"03869903"},{"@type":"LISSN","@value":"03869903"},{"@type":"NCID","@value":"AN00197092"}],"prism:publicationName":[{"@language":"ja","@value":"日本文学"},{"@language":"en","@value":"Japanese Literature"}],"dc:publisher":[{"@language":"en","@value":"Japanese Literature Association"},{"@language":"ja","@value":"日本文学協会"}],"prism:publicationDate":"2006","prism:volume":"55","prism:number":"1","prism:startingPage":"51","prism:endingPage":"61"},"url":[{"@id":"http://id.ndl.go.jp/bib/7797276"},{"@id":"https://ndlsearch.ndl.go.jp/books/R000000004-I7797276"}],"availableAt":"2006","dataSourceIdentifier":[{"@type":"JALC","@value":"oai:japanlinkcenter.org:2003058488"},{"@type":"NDL_SEARCH","@value":"oai:ndlsearch.ndl.go.jp:R000000004-I7797276"},{"@type":"CIA","@value":"110009885952"}]}