書誌事項
- タイトル別名
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- A Research Review on Perception of Consonance and Dissonance
- 協和感研究の動向と課題 : 聴覚的協和感を中心として
- キョウワカン ケンキュウ ノ ドウコウ ト カダイ : チョウカクテキ キョウワカン オ チュウシン ト シテ
- -聴覚的協和感を中心として-
- —As a Focus on Sensory Consonance—
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抄録
In musicology consonance is defined as the state where two or more tones simultane-<br>ously presented sound pleasantly. Sensory consonance, which is perceived from tones<br> isolated from a musical context, is largely independent of listener’s cultural background<br> and musical experience. Several studies revealed that infants prefer consonant tones<br> to dissonant tones and that nonhuman animals discriminate between consonant and<br> dissonant tones. Since Helmholtz introduced the concept of sensory consonance in the<br> 19th century, sensory consonance has been studied actively. In the 1960s models became<br> able to estimate the perceived consonance of complex tones from the physical properties<br> of the tones. However, sensory consonance still contains a number of problems to be<br> solved and has been studied by multiple approaches. This paper reviews the advances<br> and issues in studies on consonance, especially sensory consonance.
収録刊行物
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- 認知科学
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認知科学 22 (2), 282-296, 2015
日本認知科学会
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詳細情報 詳細情報について
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- CRID
- 1390282679460704384
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- NII論文ID
- 130005112418
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- NII書誌ID
- AN1047304X
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- ISSN
- 18815995
- 13417924
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- NDL書誌ID
- 026558422
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
- KAKEN
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- 抄録ライセンスフラグ
- 使用不可