An Observation on the Decoration of the Cathedra of Maximianus

DOI

Bibliographic Information

Other Title
  • 「マクシミアヌスの司教座」装飾に関する一考察
  • マクシミアヌス ノ シキョウザ ソウショク ニ カンスル イチコウサツ

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Abstract

The front of the Cathedra of Maximianus in Ravenna is adorned with ivory panels representing five standing figures. The central figure is identified as St. John the Baptist. But this figure type of John, wearing a long tunic and a fur mantle and holding an imago clipeata with the Lamb of God, is quite unprecedented. This figure type, which is applied not only to the figures of John the Baptist but also to that of Elijah (mosaics in Sinai), seems to emphasize their ascetic nature. Conceivably it originated in the sixth century from the attire of a monk in a melote. The Lamb of God on the imago clipeata in his left hand is certainly related to John's words, "Behold the Lamb of God" (John, 1 : 29). An imago clipeata, both in the Roman imperial and Christian art, signifies the epiphany of the depicted personage. Thus John the Baptist on the Cathedra is nothing but the representation of the Prodromos who completed the Epiphany of Christ. The fact that John the Baptist is represented here as a monk holding an icon seems to suggest a close connection between the Byzantine monasticism and the cult of icons before the Iconoclasm.

Journal

  • Aesthetics

    Aesthetics 33 (4), 60-74, 1983

    The Japanese Society for Aesthetics

Details

  • CRID
    1390282680806081536
  • NII Article ID
    110003713751
  • NII Book ID
    AN0020658X
  • DOI
    10.20631/bigaku.33.4_60
  • ISSN
    24241164
    05200962
  • NDL BIB ID
    2527651
  • Text Lang
    ja
  • Data Source
    • JaLC
    • NDL
    • CiNii Articles
  • Abstract License Flag
    Disallowed

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