{"@context":{"@vocab":"https://cir.nii.ac.jp/schema/1.0/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/","foaf":"http://xmlns.com/foaf/0.1/","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","datacite":"https://schema.datacite.org/meta/kernel-4/","ndl":"http://ndl.go.jp/dcndl/terms/","jpcoar":"https://github.com/JPCOAR/schema/blob/master/2.0/"},"@id":"https://cir.nii.ac.jp/crid/1390306200188345728.json","@type":"Article","productIdentifier":[{"identifier":{"@type":"DOI","@value":"10.34370/jjas.25.1_67"}}],"dc:title":[{"@language":"ja","@value":"森茂起・川口茂雄編著『〈戦い〉と〈トラウマ〉のアニメ表象史——「アトム」から「まどか☆マギカ」以後へ』（日本評論社、2023年）"},{"@language":"en","@value":"Shigeyuki MORI, Shigeo KAWAGUCHI <i>Representations of War and Trauma in Anime: A History from ‘Astro Boy’ to ‘Puella Magi Madoka Magica’ and Beyond</i>"}],"dc:language":"ja","creator":[{"@id":"https://cir.nii.ac.jp/crid/1410306200188345728","@type":"Researcher","foaf:name":[{"@language":"ja","@value":"桑原 圭裕"},{"@language":"en","@value":"Kuwabara Yoshihiro"}],"jpcoar:affiliationName":[{"@language":"ja","@value":"関西学院大学"}]}],"publication":{"publicationIdentifier":[{"@type":"PISSN","@value":"1347300X"},{"@type":"LISSN","@value":"1347300X"},{"@type":"EISSN","@value":"24351989"}],"prism:publicationName":[{"@language":"ja","@value":"アニメーション研究"},{"@language":"en","@value":"The Japanese journal of animation studies"},{"@language":"en","@value":"JJAS"}],"dc:publisher":[{"@language":"en","@value":"Japan Society for Animation Studies"},{"@language":"ja","@value":"日本アニメーション学会"}],"prism:publicationDate":"2025-03-31","prism:volume":"25","prism:number":"1","prism:startingPage":"67","prism:endingPage":"68"},"availableAt":"2025-03-31","dataSourceIdentifier":[{"@type":"JALC","@value":"oai:japanlinkcenter.org:2014673023"}]}