{"@context":{"@vocab":"https://cir.nii.ac.jp/schema/1.0/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/","foaf":"http://xmlns.com/foaf/0.1/","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","datacite":"https://schema.datacite.org/meta/kernel-4/","ndl":"http://ndl.go.jp/dcndl/terms/","jpcoar":"https://github.com/JPCOAR/schema/blob/master/2.0/"},"@id":"https://cir.nii.ac.jp/crid/1390589286274906880.json","@type":"Article","productIdentifier":[{"identifier":{"@type":"DOI","@value":"10.15012/0002000304"}},{"identifier":{"@type":"URI","@value":"https://ngu.repo.nii.ac.jp/records/2000304"}},{"identifier":{"@type":"NDL_BIB_ID","@value":"034702822"}},{"identifier":{"@type":"URI","@value":"http://id.ndl.go.jp/bib/034702822"}},{"identifier":{"@type":"URI","@value":"https://ndlsearch.ndl.go.jp/books/R000000004-I034702822"}}],"resourceType":"紀要論文(departmental bulletin paper)","dc:title":[{"@language":"zh","@value":"中国书法漫谈―从文字起源，书法史演进到当代书法观的综合考察―"},{"@language":"en","@value":"Chinese Calligraphy in Perspective : A Comprehensive Study of Its Origins, Historical Development, and Contemporary Interpretations"}],"dc:language":"zh","description":[{"type":"abstract","notation":[{"@language":"zh","@value":"中国书法是以汉字为载体，以毛笔书写为基本方式而形成的一种独特艺术形态。在世界艺术史中，中国书法具有高度的独立性，其审美体系，技法结构与文化内涵均根植于中国文字自身的发展与演变之中，几乎未受到外来艺术形式的直接影响。正因如此，中国书法不仅是一种视觉艺术，更是一种深度融合文字，哲学，人格修养与文化精神的综合艺术形态。本文以“中国书法漫谈”为研究视角，在尊重历史事实与传统书论的基础上，对中国书法从文字起源，书体演变，书法史上的重要阶段与代表人物进行系统梳理，并结合书法美学与文化精神，对书法在不同历史时期所呈现出的审美取向与艺术追求加以分析。在此基础上，文章进一步探讨近现代以来书法在社会结构，媒介环境与教育体系发生深刻变化背景下所面临的转型问题与发展方向，力图揭示中国书法在当代语境中所具有的持续生命力与文化价值。"}],"abstractLicenseFlag":"allow"}],"creator":[{"@id":"https://cir.nii.ac.jp/crid/1410589286274906880","@type":"Researcher","foaf:name":[{"@language":"zh","@value":"弓长 小武"}]}],"publication":{"publicationIdentifier":[{"@type":"PISSN","@value":"1344364X"},{"@type":"ISSN","@value":"1344364X"},{"@type":"NDL_BIB_ID","@value":"000000104500"},{"@type":"LISSN","@value":"1344364X"},{"@type":"NCID","@value":"AA11290804"}],"prism:publicationName":[{"@language":"ja","@value":"名古屋学院大学論集　言語・文化篇"}],"dc:publisher":[{"@language":"ja","@value":"名古屋学院大学総合研究所"}],"prism:publicationDate":"2026-03-31","prism:volume":"37","prism:number":"2","prism:startingPage":"155","prism:endingPage":"174"},"url":[{"@id":"https://ngu.repo.nii.ac.jp/records/2000304"},{"@id":"http://id.ndl.go.jp/bib/034702822"},{"@id":"https://ndlsearch.ndl.go.jp/books/R000000004-I034702822"}],"availableAt":"2026-03-31","foaf:topic":[{"@id":"https://cir.nii.ac.jp/all?q=%E4%B8%AD%E5%9B%BD%E4%B9%A6%E6%B3%95","dc:title":"中国书法"},{"@id":"https://cir.nii.ac.jp/all?q=%E4%B9%A6%E6%B3%95%E5%8F%B2","dc:title":"书法史"},{"@id":"https://cir.nii.ac.jp/all?q=%E7%BA%BF%E6%9D%A1%E7%BE%8E%E5%AD%A6","dc:title":"线条美学"},{"@id":"https://cir.nii.ac.jp/all?q=%E6%96%87%E5%8C%96%E7%B2%BE%E7%A5%9E","dc:title":"文化精神"},{"@id":"https://cir.nii.ac.jp/all?q=%E5%BD%93%E4%BB%A3%E8%BD%AC%E5%9E%8B","dc:title":"当代转型"}],"dcterms:subject":[{"subjectScheme":"Other","notation":[{"@language":"zh","@value":"中国书法"}]},{"subjectScheme":"Other","notation":[{"@language":"zh","@value":"书法史"}]},{"subjectScheme":"Other","notation":[{"@language":"zh","@value":"线条美学"}]},{"subjectScheme":"Other","notation":[{"@language":"zh","@value":"文化精神"}]},{"subjectScheme":"Other","notation":[{"@language":"zh","@value":"当代转型"}]}],"dataSourceIdentifier":[{"@type":"JALC","@value":"oai:japanlinkcenter.org:2015233828"},{"@type":"IRDB","@value":"oai:irdb.nii.ac.jp:01155:0007330943"},{"@type":"NDL_SEARCH","@value":"oai:ndlsearch.ndl.go.jp:R000000004-I034702822"}]}