Art of the Atomic Age (Part II)
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- Decamous Gabrielle
- Principal Investigator
- 九州大学
About This Project
- Japan Grant Number
- JP17K13371 (JGN)
- Funding Program
- Grants-in-Aid for Scientific Research
- Funding Organization
- Japan Society for the Promotion of Science
Kakenhi Information
- Project/Area Number
- 17K13371
- Research Category
- Grant-in-Aid for Young Scientists (B)
- Allocation Type
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- Multi-year Fund
- Review Section / Research Field
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- Humanities and Social Sciences > Humanities > The arts > Art at large
- Research Institution
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- Kyushu University
- Project Period (FY)
- 2017-04-01 〜 2024-03-31
- Project Status
- Completed
- Budget Amount*help
- 3,380,000 Yen (Direct Cost: 2,600,000 Yen Indirect Cost: 780,000 Yen)
Research Abstract
Despite the COVID-19 crisis, I managed to organized a conference. The aim of the conference was to give visibility to Navajo and Polynesian hibakusha. Uranium mining in the US and nuclear testing in Oceania have affected so many communities. Their contamination is too often invisible, overlooked or ignored. In addition to the conference, I traveled to the Marie Curie Museum, and the ITER fusion facility in France. The two research trips were crucial for me to gather new information for future publication. At the Marie Curie Museum, for example, I came across a lot of archival material about her life and work, and I was able to buy a significant amount of books and DVDs. At ITER, I learned about nuclear fusion and about the international project.
Keywords
- Art and Science
- Nuclear technology
- Nuclear weapons
- Hibakusha
- Marie Curie
- Nuclear fusion
- Art History
- Nuclear Technology
- Hiroshima and Nagasaki
- Uranium
- art
- nuclear
- atomic
- Nuclear war
- Nagasaki
- art and science
- nuclear technology
- Arts
- Atomic Age
- Philosophy
- Art and science
- Atomic age
- Fukushima
- Bikini
- Uranium mining
- Art
- Nuclear
Details 詳細情報について
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- CRID
- 1040282256947998208
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- Text Lang
- ja
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- Data Source
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- KAKEN
