Practice and application of the Bebop method by Barry Harris

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  • バリー・ハリス・ビバップ・メソッドの実践と応用
  • バリー ・ ハリス ・ ビバップ ・ メソッド ノ ジッセン ト オウヨウ

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The method of Barry Harris is based on the chromatic scale of the 12-note average scale, a wholetone scale that divides it into two, a method from the view that the three diminished chords are DNA in bebop jazz Start. This is the most fundamental and simple rule to capture the dominant 7th chord, which is an indispensable element in expressing the jazz sound until the 1950s. On the other hand, learning diatonic chord with open voicing makes it easier for jazz-specific sounds and approaches. It is also a feature of Mr. Barry to capture the main chord as the 6 th chord, and by combining it with the diminished chord, it is possible to create a tasteful sound movement that can not be expressed only by a chord name or a scale. Here, I will introduce the way to move various sounds mainly for the chord assuming performance at the piano.

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