東大寺二月堂声明

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書誌事項

タイトル別名
  • トウダイジ ニガツドウ セイメイ
  • ON THE SHYOMYO RECITED AT THE NIGATSUDO HALL OF THE TODAIJI TEMPLE (continued from the preceding issue)

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抄録

From Shyomyo found common to Rokuji, the parts included in Nitchu have been put into musical notation. A comparative study has been made of these and the parts of Shoya which were taken up in the last issue. Much difference is recognized in point of rhythm, which the reader is kindly requested to study himself by reading the notations attached hereto. A special observation has been made of Keka of each Ji, from the viewpoint of the selection of words used ; the number of words contained in one verse varies with each Ji. This fact seems to have great influence on the construction of rhythm. As a whole, Nitchu resembles Goya, Nichibotsu is like Shoya, and so is Hanya to Jincho. As for the time required for recitation, Shoya takes longest and Jincho shortest. At the end of this study, Fugennosan and Shakujo which are to be recited in the section of Senbo are given in musical notation.

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