芥川龍之介の庭 : 創造の生成場所としての異種混淆

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書誌事項

タイトル別名
  • アクタガワ リュウノスケ ノ ニワ : ソウゾウ ノ セイセイ バショ トシテ ノ イシュ コンコウ
  • Akutagawa Ryunosuke no niwa : sozo no seisei basho toshite no ishu konko
  • The gardens of Ryunosuke Akutagawa : blending heterogeneous elements for creative imagination

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説明

type:text

Akutagawa loved gardens and plants. Fallen leaves and yellow-tinged leaves are his favorite motifs and they are symbolically used in The Oriental Autumn. Classical Chinese scholars' tastes are found in his love for a poor hermitage and such plants as bamboo, lotus and basho, Japanese fibre banana. In The Garden of Shoren-in Akutagwa thinks that the traditional Japanese garden is a work of art. Akutagawa loves to use a deserted garden as a motif and it is usually related to the theme of art. Blending different elements in a garden is a formidable tool for Akutagawa to create his novels. Such motifs as strange eyes, an eerie smile, American sycamore, rose, etc are sometimes used in one text implicitly to refer to some other text. Intertextual connections may be found between The Oriental Autumn and The Smile of the Gods and between Woman and Mother, etc. The Garden and the Yu-yu Villa are interpreted as a story of the creative and devastating imagination of the art of Akutagawa.

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