西画来访与东方态度

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  • East Meets West: Its Early Encounter with Western Art

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Since China and Japan once belonged to the same Catholic province of Far East, the two countries encountered with Western engravings brought by Catholic mssionaries around the middle of l6th century. From 1579 onwards, missionaries set up their educational institutes called Seminario and Collegio to offer the courses of Western plastic arts in Japan. Not long after that, Chinese students of Macau native went to Japan to study Western oil painting at this kind of schools. In 1607, an ltalian Jesuit named Matteo Ricci introduced the method of perspective into China by helping with translating the Euclidis Elementorun Libri XV into Chinese; and over a centuly later, Okumura Masanobu employed perspective in his creation of U-kiyoe. ln 1731, Chinese artist Shen Nanping（沈南蘋）sojourned in Japan for two years; trained many Japanese students and fostered an artistic school. One of Shen's fllowers was Shiba Kokan，who shifted himself to Western knowledges including arts in his late years. Art School of Tokyo set up in 1887; and soon after its offering Western arts courses since 1896, several generations of Chinese students enrolled at that school and later became initiators of Western arts in China．

文部科学省グローバルCOEプログラム 関西大学文化交渉学教育研究拠点

東アジアの言語と表象

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