書誌事項
- タイトル別名
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- A Study on "Unita potenziale"
- センザイテキ トウイツセイ ノ コウサツ : ブランディ ノ リロン ト ゲイジュツ サクヒン ノ テイギ
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Cesare Brandi, the founder of "the Central Institute of Restoration" in Rome, had shown his theory of "Unita potenziale (Italian)" in his treatise Teoria del Restauro (1963). Before entering into the practical phase of restoration, it is required to define the "purpose.state". It is generally thought to be the "original.state" of the work, but it is not always correct. There are cases that the work acquired a kind of additional "history" after the termination of the phase of creation. In this case, for example, even the negative change of the colors of varnish should be considered as the so.called "patina": the important element as the "historical evidence" that the work achieved during the whole "life". So it is always needed to seek the state of "Unita potenziale", which includes the historical aspect. Today, all practical rules in restoration in the Western world are based on the theory of Brandi. Almost all rules can be utilized also in Japan, but some must be reconsidered before their practical applications. For example, Brandi's concept of the "Unita potenziale" put the importance especially on the "original materials". It is quite severe, because the work might be considered to lose a part of its originality and history, if the materials are renewed by the new one, even if both are chemically "same". On the other hand, in our country, the materials should be replaced with new materials every two or three decades, because the main structure of Japanese art is made of wood. The purpose of this study is to reconsider this theory and its validity.
収録刊行物
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- 恵泉女学園大学紀要
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恵泉女学園大学紀要 19 109-128, 2007-03
多摩 : 恵泉女学園大学紀要委員会
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詳細情報 詳細情報について
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- CRID
- 1050282677905522560
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- NII論文ID
- 110006194787
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- NII書誌ID
- AA12120901
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- ISSN
- 18812554
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- NDL書誌ID
- 8747912
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- 本文言語コード
- ja
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- 資料種別
- departmental bulletin paper
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- データソース種別
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- IRDB
- NDL
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