Description of Zombies in White Zombie: In the Context of Magic Island and Classic Horror Movies

IR (HANDLE) Open Access
  • FUKUDA, Asako
    国際ファッション専門職大学国際ファッション学部助教

Bibliographic Information

Other Title
  • <論文>『ホワイト・ゾンビ』におけるゾンビの描写 --シーブルック『魔法の島』と古典ホラー映画との関連から

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Description

White Zombie (1932) is considered the first feature-length zombie film. Prior literature argues that the concept of a zombie emerged from encounters with voodoo magic in Haiti, and the zombie acted as a metaphor for slaves. However, this film contains zombies returning to human form and zombies that are given names and distinctive personality traits. The paper asks why the zombies were presented in this way. This paper first, inquires into the notion of a slave-like zombie responding to the curiosity of Americans from this particular period of the 1930s. It then discusses the representation of a white female zombie, reflecting the complexity of problems such as race and hierarchy inside Haiti, and the position of America in Western society at that time. Finally, it explores the relationship between the magician and the heroine in the context of horror movies from the 1930s. Thus, by analyzing how zombies were depicted in White Zombie, this paper explores how the film acts as not only a documentation of experiences in Haiti, but also how it describes many problems pertaining to social and culture existing in Western society in the 1930s.

Journal

  • Contact zone

    Contact zone 11 (2019), 122-142, 2019-08-31

    京都大学大学院人間・環境学研究科 文化人類学分野

Details 詳細情報について

  • CRID
    1050282813457354880
  • NII Article ID
    120006719360
  • NII Book ID
    AA12260795
  • ISSN
    21885974
  • HANDLE
    2433/243976
  • Text Lang
    ja
  • Article Type
    departmental bulletin paper
  • Data Source
    • IRDB
    • CiNii Articles

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