鎌倉時代の特異な薬師立像と一日造立仏との関わりについて

西木, 政統

Bibliographic Information

Other Title

カマクラジダイノトクイナクスシリツゾウトツイタチゾウリュウブツトノカカワリニツイテ
カマクラジダイノトクイナヤクシリツゾウトイチニチゾウリュウブツトノカカワリニツイテ
Kamakura jidai no tokuina Yakushi ritsuzo to Ichinichi zoryubutsu tono kakawari ni tsuite
A study of the relationship between unique Yakushi images in the Kamakura period and Ichinichi-zōryūbutsu

Search this article

Abstract

type:text

Unique life-size Yakushi Nyorai sculptures characterized by wavelike hair, the left elbow bent at a right angle with the forearm thrust forward, as well as abbreviated forms of expression in the hair and the pleats of the robe, may be found around the Kamakura area. However, because these types of Yakushi images are highly unusual, we may assume the existence of other images that served as models for them. In this paper, I will examine the iconography of such images while arguing that their wavelike hair was originally derived from the Shaka Nyorai at Seiryō-ji Temple, and the characteristic left arm, from the Yakushi Nyorai image at the Konponchū-dō at Enryaku-ji Temple. In addition, by comparing these images to records found in Azuma kagami, I will suggest the possibility that they were created as Ichinichi-zōryūbutsu—images made in response to urgent requests and thus characterized by abbreviated forms of expression—and clarify the importance of these unique Yakushi sculptures which were created around Kamakura during the Kamakura period.

特集 : 論集美学・芸術学 : 美・芸術・感性をめぐる知のスパイラル(旋回)#挿表

Journal

哲學

哲學 132 221-253, 2014-03

三田哲學會

Details 詳細情報について

Export