Basketball as a Stage for the “New Negro” : The Harlem Renaissance and the Harlem Globetrotters
書誌事項
- タイトル別名
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- 「ニュー・ニグロ」のステージとしてのバスケットボール:ハーレム・ルネッサンスとハーレム・グローブトロッターズ
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Abstract In this paper, I probe the cultural adjacency between theater, bodily performance, and basketball that emerged in the Harlem Renaissance era, a golden age in African American culture lasting roughly from the 1910s through the mid-1930s. I focus on the story of a black basketball team named after Harlem: the Harlem Globetrotters (The Globetrotters), an all-black American basketball team founded in Chicago that would eventually become widely known for its combination of athleticism and theatrics. The Globetrotters offer useful insight into the Harlem Renaissance phenomenon, demonstrating that it was not confined to New York. Reproducing or strategically mimicking the stereotypical minstrel figure of the “Old Negro,” the Harlem lobetrotters recreated basketball into a “New Negro”sport spectacle.
収録刊行物
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- 研究紀要
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研究紀要 32 39-44, 2021
聖徳大学
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詳細情報 詳細情報について
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- CRID
- 1050291932749312768
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- NII書誌ID
- AA12621204
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- ISSN
- 21876843
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- NDL書誌ID
- 033161643
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- 本文言語コード
- en
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- 資料種別
- departmental bulletin paper
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- データソース種別
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- IRDB
- NDL