バングラデシュ独立戦争の映画表象

機関リポジトリ Web Site

書誌事項

タイトル別名
  • Cinematic Representation of the Bangladesh Liberation War
  • バングラデシュ ドクリツ センソウ ノ エイガ ヒョウショウ

この論文をさがす

抄録

This paper analyzes 85 films portraying the Bangladesh Liberation War in 1971 to examine how the movies recorded, told, and asked the meaning of this war of independence. The relationship between the state and the movies has been harmonically developed through the 20th century. After the birth of Bangladesh as a nation in 1971, their nation-building and participation in global society have progressed simultaneously. While their national identity still strongly depends on the history of the liberation war that occurred almost half a century ago, the movies continue to tell the history to the people. Of course, the representation of the war has gradually evolved. As time passes, war memories shift from direct experiences to indirect stories, eventually becoming universal messages. At the same time, there have been some consistent themes throughout the war movies, such as the rape of women and Islam. The movies stimulate the people’s awareness of their national identity, as a predominantly Bengali Muslim nation, through the story of the war. Meanwhile, the features of Bangladesh’s art filmography, emphasizing the country’s natural beauty, also appear in the series of movies. Thus, this paper discusses the cinematic representation of the Bangladesh Liberation War in terms of both ideological and artistic features

収録刊行物

関連プロジェクト

もっと見る

キーワード

詳細情報 詳細情報について

問題の指摘

ページトップへ