坪内士行と日本舞踊に関する考察

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  • ツボウチ　シコウ　ト　ニホン　ブヨウ　ニカンスル　コウサツ
  • A study of Tsubouchi Shikô and Nihon Buyô

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A study of Nihon Buyô （The Japanese Classical Dance） started by Tsubouchi Shôyô （1859–1935）. He published Shin gakugeki ron and Shinkyoku Urashima in 1904. Then he established Nihon Buyô as a new kind of dance, in both theoretically and practically. Tsubouchi Shikô （1887–1986） Shôyô's nephew, engaged in Shôyô's study of Buyô from his childhood, and also contributed to develop Nihon Buyô. However, several studies have been made on Tsubouchi Shikô were focused on his studies of Shôyô, theater works in the Takarazuka, and studies of Shakespeare, untill now. Therefore, little attention has been given to his achievement in the field of Nihon Buyô. The purpose of this paper is to examine the point about Nihon Buyô by Tsubouchi Shikô, and to position him into the history of Nihon Buyô studies. First, I describe Tsubouchi Shikô's brief history, and clarify his conventional evaluation, by arranging preceding studies. Then, I follow his whole life with relation to Nihon Buyô. Further, I analyze his essays on Nihon Buyô written in the magazine Geinô. Tsubouchi Shikô probed “the essence of Buyô （dance）” by exploring the origin of dance. And he objected to regard Kabuki Buyô as a model of Nihon Buyô. He expected artists to create new work, based on “the essence of Buyô”, that is, more free from Kabuki Buyô.

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