Schubert’s 4-handed Piano Piece Written in His Later Years:Focusing on Fantasie in F minor Opus 103 D 940

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  • シューベルト最晩年のピアノ連弾作品について ─ 幻想曲　Op.103 D940　ヘ短調を中心として ─
  • シューベルト最晩年のピアノ連弾作品について : 幻想曲 Op.103 D940 ヘ短調を中心として
  • シューベルト サイ バンネン ノ ピアノ レンダン サクヒン ニ ツイテ : ゲンソウキョク Op.103 D940 ヘタンチョウ オ チュウシン ト シテ

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Franz Schubert (1797-1828) composed many piano pieces for four-handed performances throughout his life. They vary, both in content and scales, and many of them are still played by those who love music. I intend to explore the composition styles he attempted in his later years, and the context of these efforts, by analyzing the four-handed piece, “Fantasie D940” written in 1828, the year in which he died. Furthermore, I am going to examine this work from a technical viewpoint based on my own experience as a 1st player as a 2nd, as well.

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