A Study About Originality of Modurations in Works by G.Faure

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  • フォーレの作品における転調の独創性に関する考察 (音楽表現学科特集号)
  • フォーレの作品における転調の独創性に関する考察
  • フォーレ ノ サクヒン ニ オケル テンチョウ ノ ドクソウセイ ニ カンスル コウサツ

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Abstract

Gabriel Faure was a French composer who was actively engaged in the musical world in France from the 19th century to the 20th century.In the violent period of changes --from the time of romanticism to the present -- Faure established devotedly his own idiom by excluding the old authority and new fashion of that time. The superb feature of his music is in a graceful melody and a unique progress in harmony. Because his harmony progress and modulation method were extremely unconventional at that time, Saint-Saens, who was Faure's master, shouted, "He at last went mad!" In this paper, I attempt to explore the special feature of Faure's harmony progress and modulation out of his works. I certainly hope that this research could prove to be access to the originality of Faure's music even a bit.

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