ウオグ・ヤタウユガナ（高一生）の作品のルーツを探って　－植民地台湾の音楽教育と先住民音楽の観点を通して－

機関リポジトリ Web Site

書誌事項

タイトル別名
  • ウオグ ・ ヤタウユガナ(コウイッショウ)ノ サクヒン ノ ルーツ オ サグッテ : ショクミンチ タイワン ノ オンガク キョウイク ト センジュウミン オンガク ノ カンテン オ トオシテ
  • Searching for the root of the works of Uyongu Yatauyungana (Gao Yisheng)　－Focus on his music education and Tsou's music at the colonial Taiwan－

この論文をさがす

抄録

GAO Yi-Sheng, who was an aborigine of Tsuou tribe in Taiwan, was born in 1908. His native name was Uyongu Yatauyungana, and he also had a Japanese name, Issei Yada, because Taiwan was ruled by Japan around the time. When Taiwan became a territory of Republic of China in 1945, he again changed his name to a Chinese name, GAO Yi-Sheng. Although he was arrested on a false charge as a revolter against the government in 1952 and executed in 1954, Taiwanese and Japanese scholars have considered him as one of the elite in Tsuou tribe, not only because he attempted to build an autonomous society for Taiwanese aborigines, but also because he had considerable talents for literature and music. Even when he was in prison, GAO Yi-Sheng composed many songs, as thinking of his own children and people of Tsuou tribe. It is undoubted that he was a tragic figure in the history of politics, but I would like to shed more light on his music talent. We all know that music composition needs knowledge of organizing the notes and writing them on the staves. So where and why did GAO learn the knowledge about music composition? What is characteristic of his music? In order to answer the questions, in this paper, I will examine GAO's progress in music education during his school years and analyze his compositions as well.

収録刊行物

キーワード

詳細情報 詳細情報について

問題の指摘

ページトップへ