ʿAli Qoli Jebādār et l'occidentalisme safavide : une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (1666-94)

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タイトル
"ʿAli Qoli Jebādār et l'occidentalisme safavide : une étude sur les peintures dites farangi sāzi, leurs milieux et commanditaires sous Shāh Soleimān (1666-94)"
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par Negar Habibi
出版者
  • Brill
出版年月
  • c2018
書籍サイズ
25 cm

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注記

Updated version of the author's thesis (doctoral--Université de droit, d'économie et des sciences d'Aix-Marseille, 2014) under the title: Le farangi sāzi et les peintures de ʿAli Qoli Jebādār

Includes bibliographical references (pages 178-203) and index

In 'ʿAli Qoli Jebadar et l'occidentalisme Safavide' Negar Habibi provides a fresh account of the life and works of ʿAli Qoli Jebadar, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of ʿAli Qoli Jebadar's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sazi, while suggesting the use of the term "Occidentalism" for those Safavid paintings that show some exotic and alien details of the Western world

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