舞踊の稽古における身体的思考 身体イメージの再構成を手がかりとして

書誌事項

タイトル別名
  • Thinking through the body in dance practice consideration from reconstitution of body images

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説明

How does a dancer think through the body in dance practice? This paper aims to give answer to this question through consideration from the reconstitution of body images in his/her practice. This paper specifically uses phenomenology as an analytical frame work. Before his/her practice, the dancer acquires the knowledge of anatomy described from the third-person perspective. When the dancer performs the dance technique, this knowledge transforms into the images of moving his/her own body. Through the movement, the dancer perceptually understands the process of unification of images as a figure in the potential layer and movements on the actual layer. The dancer reflects on his/her own body in movement. Through this both perceptional and subjective reflection in his/her movement, the dancer finds out another aspect of the body images including representation of attitude and beliefs pertaining to his/her own body. Through this bodily reflection, the dancer superposes his intention and impulse for movement on his/her body images. Reconstituting the body images through the reflection of his/her own body in movement, the dancer integrates his/her whole body including aspects of intention and impulse for movement.

収録刊行物

  • 人体科学

    人体科学 25 (1), 23-33, 2016

    人体科学会

詳細情報 詳細情報について

  • CRID
    1390001204441521792
  • NII論文ID
    130006407191
  • DOI
    10.20788/jmbs.25.1_23
  • ISSN
    24242314
    09182489
  • 本文言語コード
    ja
  • データソース種別
    • JaLC
    • CiNii Articles
  • 抄録ライセンスフラグ
    使用可

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