舞踊の稽古における身体的思考 身体イメージの再構成を手がかりとして
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- 竹谷 美佐子
- 大阪大学大学院人間科学研究科博士後期課程
書誌事項
- タイトル別名
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- Thinking through the body in dance practice consideration from reconstitution of body images
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説明
How does a dancer think through the body in dance practice? This paper aims to give answer to this question through consideration from the reconstitution of body images in his/her practice. This paper specifically uses phenomenology as an analytical frame work. Before his/her practice, the dancer acquires the knowledge of anatomy described from the third-person perspective. When the dancer performs the dance technique, this knowledge transforms into the images of moving his/her own body. Through the movement, the dancer perceptually understands the process of unification of images as a figure in the potential layer and movements on the actual layer. The dancer reflects on his/her own body in movement. Through this both perceptional and subjective reflection in his/her movement, the dancer finds out another aspect of the body images including representation of attitude and beliefs pertaining to his/her own body. Through this bodily reflection, the dancer superposes his intention and impulse for movement on his/her body images. Reconstituting the body images through the reflection of his/her own body in movement, the dancer integrates his/her whole body including aspects of intention and impulse for movement.
収録刊行物
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- 人体科学
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人体科学 25 (1), 23-33, 2016
人体科学会
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詳細情報 詳細情報について
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- CRID
- 1390001204441521792
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- NII論文ID
- 130006407191
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- ISSN
- 24242314
- 09182489
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用可