ロボットは井戸端会議に入れるか

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書誌事項

タイトル別名
  • Can a Robot Join an Idobata Kaigi?:
  • ロボットは井戸端会議に入れるか : 日常会話の演劇的創作場面におけるフィールドワーク
  • ロボット ワ イドバタ カイギ ニ イレル カ : ニチジョウ カイワ ノ エンゲキテキ ソウサク バメン ニ オケル フィールドワーク
  • 日常会話の演劇的創作場面におけるフィールドワーク
  • A Fieldwork on Theatrical Creation of Daily Conversation

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抄録

Based on a fieldwork in a human-robot theatre project, we analyze multimodal-<br>ity and sequential organizations in human-robot interaction. In 2008, the collabo-<br>ration between the Seinendan Theater Company and Osaka University began as the<br> Robot/Android-Human Theater project. Their performances were carried out in 33<br> cities in 15 countries. From July to October in 2012, we video-recorded all the rehearsals<br> of Sannin-shimai (Three Sisters, original story by Chekhov), written and directed by<br> Oriza Hirata. In May 2013, we designed an experiment using Oriza:s theatrical ap-<br>proach in order to investigate how a social robot meets a human in a shopping mall.<br> This was conducted in an experimental room at the Advanced Telecommunications<br> Research Institute (ATR) in Japan. We apply the concepts of F-formation and par-<br>ticipation framework and analyze (1) how the director gradually shapes an interaction<br> using human and robot/android actors, and (2) how the human actors gradually change<br> their performances by themselves without the director’s instruction. These analyses on<br> the stage and in the experimental setting provide an opportunity to better understand<br> how people organize conversational interactions in daily life and to help design a better<br> social robot in the future.

収録刊行物

  • 認知科学

    認知科学 22 (1), 9-22, 2015

    日本認知科学会

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