江戸における巨大仮設能劇場に関する幕府の対応

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書誌事項

タイトル別名
  • A STUDY ON TOKUGAWA SHOGUNATE'S MANAGEMENT OF LARGE TEMPORARY NOH THEATERS IN EDO
  • —Examinations of once-in-a-lifetime performances of principal actors in 1750, 1816, 1831 and 1848—
  • ―寛延3年，文化13年，天保2年，弘化5年の一世一代勧進能興行の事例から―

抄録

In the Edo Period, the once-in-a-lifetime performances of noh required large spaces. In these cases, the sites of the theaters were usually built on open spaces intended as firebreak, controlled by the Fushin-bugyo. The Machi-bugyo had jurisdiction over the city area and Noh performances. During the performance, the jurisdiction of the open space shifted to the Machi-bugyo. Under the Machi-bugyo jurisdiction, the noh actor had to look after the site and the buildings during the performance period. The Shognate worked out systems to ensure the safety of the open spaces in the large city of Edo.

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