THE RELATIONSHIP BETWEEN FORM AND COLOR IN THE THEORY OF ARCHITECTURAL POLYCHROMY IN THE NINETEENTH CENTURY : A study on architectural polychromy revivalism I

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  • 19世紀「ポリクロミー」論に見られる形態と色彩の関連について : ポリクロミー・リヴァイヴァリズム研究I
  • ポリクロミー・リヴァイヴァリズム研究-1-19世紀「ポリクロミー」論に見られる形態と色彩の関連について
  • ポリクロミー リヴァイヴァリズム ケンキュウ 1 19セイキ ポリクロミー ロ

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This Paper is the first part of the thesis on architectural polychromy revivalism in thenineteenth century. I focused my attention on one point in this paper, that is, the relationship between corporeal form and color decoration or the relationship between structure and surface decoration. J. I. Hittorff approached polychromy for the systematic arrangement of the corporeal form. G. Semper and J. Ruskin started on the study of polychromy from the functional analogy and the morphological analogy of color decoration, with the result that polychromy was divided from structure, but, 0. Jones unified polychromy to structural form by means of dematerialization.

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