A STUDY OF DESIGN THEORY FOR NO-STAGE ON YASHIKI-HINAGATA

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  • YAMAZAKI Jun
    Graduate School of Science and Eng., Dept. of Architecture and Building Eng., Tokyo Institute of Technology
  • OKAMOTO Mariko
    Dept. of Aesthetics and Art-History, Faculty of Literature, Tokai Women's College
  • KAWATA Katsuhiro
    Dept. of Architecture, Urban & Civil Eng., Faculty of Eng., Nagoya Institute of Technology
  • FUMOTO Kazuyoshi
    Dept. of Architecture, Urban & Civil Eng., Faculty of Eng., Nagoya Institute of Technology
  • SENDA Mitsuru
    Dept. of Architecture, Faculty of Eng., Tokyo Institute of Technology
  • NAITO Akira
    Dept. of Architecture, Faculty of Formative Arts, Aichi Sangyo University

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Other Title
  • 屋敷雛形における能舞台の研究
  • ヤシキ ヒナガタ ニ オケル ノウ ブタイ ノ ケンキュウ

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Abstract

We can findout 26 Yashiki-hinagata (sourceebooks of Japanese mansion design in architectural reference books), which give descriptions of NO-stage design. In this paper, we introduced bibliography of the 26, analysed their theoretical and historical characteristics. As a result, we recognized that time of completion of design theory for NO-stage is about Kannei 15 (1638). Related with the historic backgrounds of perfection of NO at Shikisyou-suki-onari, design theory of NO-stage was dealt as an orthodoxy of house design and needed. Moreover, publication of "Shinpen-buke-hinagata" in Meireki 1 (1655), the design theory of NO-stage showed repercussions on Yashiki-hinagata after the middle Edo era.

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