UPON INFLUENCES OF A CHANGE OF THE ICONOGRAPHY OF THE PLAFOND OF THE GALERIE DBS GLACES OF VERSAILLES ON THE RELATIONS BETWEEN THE CHATEAU AND THE GARDENS

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  • ヴェルサイユ宮殿鏡の間の天井画の図像主題の変遷が城館と庭園の関係に及ぼした影響について
  • ヴェルサイユ キュウデン カガミノマ ノ テンジョウガ ノ ズゾウ シュダイ ノ ヘンセン ガ ジョウカン ト テイエン ノ カンケイ ニ オヨボシタ エイキョウ ニ ツイテ

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The construction of the Galerie des Glaces is a turning point in the Versalles1 history about the relation between Le Brunand architects, the palace's nature and the aesthetic of mirror. The issue of this paper is a iconographical change of its plafond andits influences on the relation between the chateau and the gardens. At first, Apollonian themes were projected, but they werereplaced by Herculean myth, finally, by the histoire du Roi. The first plan that connects with the gardens' subjects as the palaisdu Soleil's keystone was abandoned and the harmony of the composition wasn't achieved.

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