THE CHANGE OF THE SPATIAL REPRESENTATION AND ITS MEANING OF COURTYARD SPACES IN A CHINESE TRADITIONAL COURTYARD-STYLE HOUSE “<i>SI-HE-YUAN</i>” AS INTERPRETED FROM THE CHINESE MOVIE “<i>SUNFLOWER</i>”

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  • KURIHARA Shinji
    Dept. of Bioenvironmental & Agricultural Engineering, College of Bioresource Sciences, Nihon Univ.

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  • 中国映画『胡同のひまわり』から読む四合院住居の中庭空間表象とその意味の変遷
  • チュウゴク エイガ 『 コドウ ノ ヒマワリ 』 カラ ヨム ヨンゴウイン ジュウキョ ノ ナカニワ クウカン ヒョウショウ ト ソノ イミ ノ ヘンセン
  • THE CHANGE OF THE SPATIAL REPRESENTATION AND ITS MEANING OF COURTYARD SPACES IN A CHINESE TRADITIONAL COURTYARD-STYLE HOUSE &ldquo;<i>SI-HE-YUAN</i>&rdquo; AS INTERPRETED FROM THE CHINESE MOVIE &ldquo;<i>SUNFLOWER</i>&rdquo;

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The purpose of this paper is to interpret the change of the spatial representation and its meaning of “Yuan-zi”, -courtyard spaces of Chinese traditional courtyard-style house called “Si-he-yuan” -, in the Chinese Movie “Sunflower”. As a result, the spatial representation followed to story deployment of every four ages can be clarified, through examining the relationship among materials, living behavior, and cinematography. Moreover, based on this, the change of spatial representation and its analogical meaning were also considered. And the anecdotal report showed concretely the new knowledge by integration of these viewpoints and methods.

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