ロックの「時代精神」からオーディエンスへ
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- 粟谷 佳司
- 同志社大学大学院文学研究科
書誌事項
- タイトル別名
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- From “the Spilit of the Times” of Rock to Audiences:
- Cultural Studies and Popular Music
- 文化研究とポピュラー音楽
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説明
This paper examines the politics of discourse on the value of ‘rock’ by critics and academics and importance of audience, mostly neglect in those discourses. First of all, the discourse on ‘the end of the rock era’ by Simon Frith reveals that it stands on ambivalent attitudes towards authenticity of music, which should have been rejected by the thechnology. Then we investigatethe reason why appropriation of musical meaning of audiences which in spite of it's importance, its negrected by Frith and only discribed negatively at the mass society theory is so important by the framework after the rise of Cultural Studies.
収録刊行物
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- ポピュラー音楽研究
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ポピュラー音楽研究 2 23-34, 1998
日本ポピュラー音楽学会
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詳細情報 詳細情報について
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- CRID
- 1390001205324527744
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- NII論文ID
- 130003661544
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- ISSN
- 18835945
- 13439251
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- データソース種別
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- JaLC
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用不可