A Historical Study on the Relation of the Planting Design to Rikka and Bonsai
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- MURAKAMI Asako
- 千葉大学大学院園芸学研究科
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- FUJII Eijiro
- 千葉大学園芸学部緑地・環境学科
Bibliographic Information
- Other Title
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- 立花および盆栽と庭園植栽意匠との関わりに関する史的考察
- リッカ オヨビ ボンサイ ト テイエン ショクサイ イショウ ト ノ カカワリ
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Description
The “rikka” grew out of a simple style called the “tate-bana” and became formalized by arranging seven main flower stems or branches in positions. The rikka was affected by Buddhism, and the aims of the rikka is to express a symbolized nature. The forms of flower stems or branches and their structure have a symbolized sense of Mother Nature, then the arrangement of flower stems or branches should not against the principle of nature. The “suna-no-mono” was one of the rikka style flower arrangements, and it expressed a closerange view in contrast with the rikka expressing a distant view. The suna-no-mono has a similarity to a garden which expresses concrete scenery in this aspect. People did not only admire the beauty of a bonsai, but also enjoyed oneself wandering in the ideal world perceived in a bonsai. The appreciation of bonsai have a resemblance to the appreciation of garden, in which people can enjoy themselves in both aspects of body and soul.
Journal
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- Journal of the Japanese Institute of Landscape Architects
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Journal of the Japanese Institute of Landscape Architects 57 (5), 25-30, 1993
Japanese Institute of Landscape Architecture
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Details 詳細情報について
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- CRID
- 1390001205670097280
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- NII Article ID
- 110004661627
- 10009742442
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- NII Book ID
- AN00133839
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- ISSN
- 21853053
- 03877248
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- NDL BIB ID
- 3876820
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- Text Lang
- ja
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- Data Source
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- JaLC
- NDL
- Crossref
- CiNii Articles
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- Abstract License Flag
- Disallowed