The Power of Modern Literature in Lu Xun's “Kokyō”: Shōzō Ōmori's Philosophical Theory and the Narrator in the Multilayered Psychological Structure

DOI Web Site

Bibliographic Information

Other Title
  • 奇跡の名作、魯迅『故郷』の力
  • 奇跡の名作、魯迅『故郷』の力 : 大森哲学との出会い、多層的意識構造のなかの〈語り手〉
  • キセキ ノ メイサク 、 ロジン 『 コキョウ 』 ノ チカラ : オオモリ テツガク ト ノ デアイ 、 タソウテキ イシキ コウゾウ ノ ナカ ノ 〈 カタリテ 〉
  • ――大森哲学との出会い、多層的意識構造のなかの〈語り手〉――

Search this article

Abstract

<p>In proportion to the rapid growth of information society our sense of powerlessness paradoxically becomes more acute. I think it's my duty as a scholar of Japanese literature to offer some way out of this current cul-de-sac through my study on modern literature. A new way of reading Lu Xun's “Kokyō” might give a clue to solving it because the short story has potentiality enough to cause a revolutionary shift of our epistemological paradigm. Referring to the philosophical theory of Shōzō Ōmori, here I will point out the six important aspects of the text that the reader must take into consideration in order to bring the force of paradigm change out of it.</p>

Journal

Details 詳細情報について

Report a problem

Back to top