書誌事項
- タイトル別名
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- Turner's pictorial composition derived from the comparison between British and French landscapes
- 19セイキ ショトウ エイフツ フウケイガ ノ ヒカク カラ ミル ターナー ノ クウカン コウセイ
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説明
The purpose of this paper is to explore how a prominent English nineteenth-century landscape painter, Joseph Mallord William Turner composed pictorial space from the viewpoint of comparison with contemporary French landscape and its theory. Contemporary French landscape painters including Pierre Henri de Valenciennes were deeply influenced by the style of neoclassical history painting and their pictorial space was ordered by the idea of plan. Valenciennes demanded in his perspective treatise landscape painting be composed with several plans disposed parallel to the picture plane. Objects were disposed tediously on plans, which Turner considered to show French inability to give depth in pictorial space. On the other hand, the idea of ground was used to represent pictorial space in the early nineteenth-century British landscape. This difference of idea to represent pictorial space was a reason why several Royal Academicians including Turner criticized spatial representation of contemporary French paintings for their inability to give depth. Turner himself aimed at representing depth of pictorial space with introducing deep ground and manipulating colour. That provided his landscape composition with great depth and recession which he considered French paintings could not represent.
収録刊行物
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- 美学
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美学 60 (2), 112-125, 2009
美学会
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詳細情報 詳細情報について
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- CRID
- 1390001205830143488
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- NII論文ID
- 110008464961
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- NII書誌ID
- AN0020658X
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- ISSN
- 24241164
- 05200962
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- NDL書誌ID
- 10541497
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
- KAKEN
- Crossref
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- 抄録ライセンスフラグ
- 使用不可