書誌事項
- タイトル別名
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- The Criticism for Neue Sachlichkeit in Walter Benjamin : Consideration from the Viewpoint of the Concept of "Aura"
- ヴァルター ベンヤミン ノ シン ソクブツ シュギ ヒハン アウラ ガイネン カラノ コウサツ
この論文をさがす
抄録
Walter Benjamin made many comments on contemporary arts. In those comments, he consistently criticized Albert Renger=Patzsch, especially his collection of photographs, The World is Beautiful. This paper considers why Benjamin criticized Renger=Patzsch from the viewpoint of the concept of aura and what elements of his photographs Benjamin thought dangerous in relation to the political aestheticism of fascism. Benjamin distinguished between the aura of work of art and that of commodity, and gave negative evaluation to the latter. Thus in previous studies, the former has been taken as authentic while the latter as fake. And it has been argued that there remains no authentic aura after the "decay of aura". In contrast, I interpret aura as having broader implications, i.e., as a "reactivation of mythic power of objects by empathy". So I think that the aura was interrupted by the shock of the invention of reproductive technology and, through this shock, was transformed from that of work of art to that of commodity while maintaining its mythic power. The aura of Renger=Patzsch's photographes depends precisely on this mythic power transmitted to the world of commodity.
収録刊行物
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- 美学
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美学 58 (1), 15-28, 2007
美学会
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詳細情報 詳細情報について
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- CRID
- 1390001205831451776
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- NII論文ID
- 110006632932
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- NII書誌ID
- AN0020658X
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- ISSN
- 24241164
- 05200962
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- NDL書誌ID
- 8888546
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用不可