明治10年代前半における少年層の「書画」「画学」観 : 投稿誌『穎才新誌』を手がかりとして

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タイトル別名
  • Teenagers'Vliew on Drawing, Picture and Writing in the Early Meiji 10th Era : Based on the Analysis of Contributions to Eisai-Shinshi.
  • メイジ 10ネンダイ ゼンハン ニ オケル ショウネンソウ ノ ショガ ガガク ミ トウコウシ エイサイ シン シ オ テガカリ ト シテ

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This article investigates teenagers'contributions to Eisai-Shinsi(New Magazine for the Gifted Pupils)in the early Meiji era. About 10% of the 191 cover pictures are Western-style pencil drawings, and 90% are brush drawings in sumi-e style developed from the Nanga school. We can see from teenagers'Essay and poetry that they used to go to see the art exhibitions, enjoy private collections including Western-style drawing and painting. Also, they used to compose a poem while appreciating a picture. It seems reasonable to conclude that they acquired the behavior like literati in old Chinese culture. Appended to this, from the point of Western culture, some of the contributors claimed that Sho-ga(calligraphy and painting in Japanese style)was analogous to Ga-gaku(drawing and painting for general education)that was one of the subjects in the same rank with 3R's in elementary school.

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