『鹿驚集』をめぐる諸問題

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書誌事項

タイトル別名
  • A Comprehensive Review of <i>Kagashi-shū</i>
  • 『 カキョウシュウ 』 オ メグル ショ モンダイ

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説明

The aim of this article is to make a comprehensive review of Kagashi-shū, a collection of poems by Hinaya-Ryūho and his disciples. First, I will point out that the anthology was not published in the third year of the Kanbun Period but actually in the third year of the Meireki Period because the editor Isaka-Shunsei had been working on it until the New Year’s day of the same period. Second, I will outline his editorial policy for the five-volume anthology although only the two volumes are now extant. Third, I will provide Shunsei’s biographical data while critically referring to the account of his career in Kokkei-taihei-ki. In so doing I will also examine his relations to the poets in the anthology whose profound knowledge about the popular culture of Edo made it more sophisticated and urban than Monowasure-gusa, a rival anthology compiled by Kanda-Teisen who mainly selected works by the poets of Owari. Finally, I will consider the poetical circle of Kyoto’s reception of both Kagashi-shū and Monowasure-gusa. In Kokkei-taihei-ki, Shunsei is defined as a member of Yasuhara-Teishitsu’s group while Teisen as one of Kitamura-Kigin’s group. This classification reflects the disruption of the poetical circle of Kyoto brought about by confrontation between Yasuhara-Teishitsu, Yamamoto-Saimu, and Kiyamura-Kigin after Matsunaga-Teitoku’s death.

収録刊行物

  • 近世文藝

    近世文藝 108 (0), 1-16, 2018

    日本近世文学会

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