山東京伝『復讐奇談安積沼』の創作手法

DOI Web Site

書誌事項

タイトル別名
  • The Making of <i>Fukushū-kidan-asaka-no-numa</i>:
  • 山東京伝『復讐奇談安積沼』の創作手法 : 敵討物草双紙からの影響をめぐって
  • サントウ キョウデン 『 フクシュウ キダン アサカヌマ 』 ノ ソウサク シュホウ : テキトウモノグサ ゾウシ カラ ノ エイキョウ オ メグッテ
  • The Influence of “Kusazōshi” Revenge Fiction on Santō-Kyōden’s Literary Work
  • ―敵討物草双紙からの影響をめぐって―

この論文をさがす

抄録

The aim of this article is to consider the relation between Fukushū-kidan-asaka-no-numa (1803) and “kusazōshi” revenge fiction, mainly focusing on the seventh and eighth chapters about the revenge of the ghost of Kohada-Koheiji. Few previous studies of the “yomihon” novel identify its sources clearly enough, but obviously in writing it Santō-Kyōden borrowed from Nansenshō-Somahito’s revenge story Katakiuchi-okitsu-siranami (1799). He also made use of it as a sort of reference book for the melodramatic techniques of popular fiction in the hope of gaining wider readership. Indeed the novel’s plot composed of the “combination of revenge and horror” reveals such a desire for popularity. The influence of “kusazōshi” revenge fiction on Fukushū-kidan-asaka-no-numa thus sheds a new light on Kyōden’s profile as a writer.

収録刊行物

  • 近世文藝

    近世文藝 111 (0), 31-47, 2020

    日本近世文学会

詳細情報 詳細情報について

問題の指摘

ページトップへ