Bibliographic Information
- Other Title
-
- 栗田樗堂『萍窓集』小考
- 栗田樗堂『萍窓集』小考 : 『石耕集』との比較を通して
- クリタチョドウ 『 ヘイマドシュウ 』 ショウコウ : 『 セキコウシュウ 』 ト ノ ヒカク オ トオシテ
- A Note on <i>Heisō-shū</i> in Comparison with <i>Sekkō-shū</i>
- ―『石耕集』との比較を通して―
Search this article
Abstract
Kurita-Chodō (1749-1814), a wealthy merchant of Matsuyama, was also a poet widely known as one of Katō-Kyōtai’s disciples. This article examines his editorial intention in Heisō-shū, his only published poetry collection in 1812, in comparison with Sekkō-shū, his unpublished collection in 1807. While Sekkō-shū was an anthology, Heisō-shū is a private collection intended for the confession of the poet’s dissipated life through the biographical sketch of Matsuo-Bashō. The inscription of “fūryū-zaika (artistic sin)” on the front page refers to his dissolute life with no regard for fame and wealth. After the style of Bashō, Kurita provided a preface to each poem in which poetical phrases are elaborately integrated into realistic descriptions. His preference for the old master’s hermit life reflects the philosophy of “fūryū-zaika” which dictates that all secular affairs must be disregarded for art’s sake.
Journal
-
- Kinsei Bungei
-
Kinsei Bungei 111 (0), 17-30, 2020
Nihon kinsei bungaku kai (The Japanese Early Modern Literature Association)
- Tweet
Details 詳細情報について
-
- CRID
- 1390003825202915456
-
- NII Article ID
- 130007882698
-
- NII Book ID
- AN0006477X
-
- ISSN
- 24321508
- 03873412
-
- NDL BIB ID
- 030620330
-
- Text Lang
- ja
-
- Data Source
-
- JaLC
- NDL
- CiNii Articles
-
- Abstract License Flag
- Allowed