Careful Selection of the Waka Expression by Tona: Remarkable Changes in Souan-shu and Zoku-souan-shu as Compared with Tona's Hinami-kasyu.

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  • トンア、ソノワカヒョウゲンノセイセン -ヒナミカシュウカラソウアンシュウ・ゾクソウアンシュウヘ-
  • 頓阿、その和歌表現の精選 -日次家集から草庵集・続草庵集へ-

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Abstract

type:P(論文)

I have clarified the Waka historic values in a new document, Tona's Hinami-kasyu, by describing its whole manuscript in a transciption of Tona's Hinami-kasyu (the first half year of 1346) , owned by Yomei Bunko (Kobe College Studies Vol.59 No.1 2012) , and by introducing the contents and composition in an examination of Tona's Hinami-kasyu (the first half year of 1346) owned by Yomei Bunko (Waka-bungaku-kennkyu Vol.105 2012). Based on those articles, in this study, I mainly investigated what changes Tona made for the Waka part when he edited his own Waka for Souan- shu and Zoku-souan-shu. Notably, Tona edited those works from Tona's Hinami-kasyu, in which he temporarily collected his work. After perceiving the whole common Waka, I indicated the points where Tona himself made changes, and then discussed the expression effects.

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