DESIGN PROCESS OF MEMORIAL CATHEDRAL FOR WORLD PEACE (1954), HIROSHIMA BY TOGO MURANO (PART 1): CHRONOLOGICAL OVERVIEW OF GRAPHIC MATERIALS AND FORMAL MANIPULATIONS OBSERVED IN EARLY DESIGN SCHEMES

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  • 村野藤吾の広島世界平和記念聖堂（1954）の設計過程（その1）：図面資料の通時的概観と初期設計案における形態操作について
  • Design process of the Memorial Cathedral for World Peace (1954), Hiroshima, by Togo Murano (Part 1): A chronological overview of graphic materials and formal manipulations observed in early design schemes

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<p>This study was to reconstruct the design process of the Memorial Cathedral for World Peace and to reveal the architect’s formal manipulations conducted under strategic design thinking. The study materials were the original design sketches and drawings possessed by Museum and Archives, Kyoto Institute of Technology. Initially, overall severance on graphic materials was conducted, and four distinctive parts of design were outlined. Further in this paper, the first part of design conducted in the property grown from 6,000 to 10,000m2 was analyzed. Based on the chronological order of sketches established, transformability and formal manipulations through two successive studies were analyzed.</p>

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