トーキー移行期の中国語映画における言語と国民統合の問題――広東語映画の製作と「国防映画」をめぐって
書誌事項
- タイトル別名
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- Chinese Cinema During the Transition Period from Silents to Talkies: Cantonese Films and “National Defense Films”
抄録
<p>After Chinese talkie films appeared in 1931, Cantonese films began to be mass-produced in south China. This paper examines the film production conditions of Cantonese films before 1941, by analyzing some of the Cantonese films and cinema magazines of that period.</p><p>In 1936, as a part of its nation-building project, the National Government in Nanjing tried to outlaw the production of films in dialects, in an attempt to foster linguistic unity in the country. At that time, China was under constant threat of attack from Japan. The Cantoness film industry survived by capitalizing on anti-Japanese feeling. Almost sixty-six Cantonese “national defense films” were made before 1941.</p><p>Although some Cantonese “national defense films” can be seen as a countermeasure to the prohibition of dialect films, Chinese national identity was nevertheless constructed partially in these films made in Hong Kong.</p><p>Most of the sixty-six films do not depict “the dreadful Japanese enemy.” Their major theme was the importance of eliminating “others” who betray the War of Anti-Japanese Resistance.</p>
収録刊行物
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- 映像学
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映像学 73 (0), 5-22,131, 2004-11-25
日本映像学会
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詳細情報 詳細情報について
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- CRID
- 1390014128337632640
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- ISSN
- 21896542
- 02860279
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
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- 抄録ライセンスフラグ
- 使用不可