Consideration of What it Means to Convey the Thinking and Sensation of the Creator

DOI

Bibliographic Information

Other Title
  • 制作者の思考や感覚を伝えるとはどういうことか
  • —Reflection on the Workshop Practice Focusing on the Workings of Haptic Perception from the Sculptor’s Point of View—
  • ―触覚の働きに着目したワークショップの実践を彫刻制作者の視点から振り返って―

Abstract

<p>The sculpting is a process of thinking through materials, or intellectual inquiry, in which a concept is devised through the hands and fingers that handle the clay work. From that standpoint, this paper focuses on the thought of project oneself into the material from the perspective of the sculptor. Then, this paper will consider the meaning of conveying the thinking and sensation to others based on report and analysis of workshop. The appearance of the children at the workshop centered on the appreciation activity of touching the sculpture suggested the following. To convey the thoughts and feelings of the creator, it is necessary to have a method and words to inspire the “To comprehend” that the viewer is physically convinced based on his own experience and feelings. It is different from the way we “understand” things as words. And searching for words to convey to others in the place of co-activation between the creator and the viewer, it has the meaning of consciously re-questioning thinking and sensation that not only the viewer but also the creator himself is not aware of.</p>

Journal

Keywords

Details 詳細情報について

  • CRID
    1390014128339539328
  • DOI
    10.19008/uaesj.54.169
  • ISSN
    21893586
    24332038
  • Text Lang
    ja
  • Data Source
    • JaLC
  • Abstract License Flag
    Disallowed

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