講義原稿「意匠及装飾（形体篇）」（昭和12年）にみる岸田日出刀の建築造形理念

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タイトル別名
  • HIDETO KISHIDA'S FORMATIVE IDEAS IN ARCHITECTURE DESIGN, ANALYSIS THROUGH HIS LECTURE MANUSCRIPT “ISHO AND SOSHOKU” (1937)
  • HIDETO KISHIDA'S FORMATIVE IDEAS IN ARCHITECTURE DESIGN, ANALYSIS THROUGH HIS LECTURE MANUSCRIPT ^|^ldquo;ISHO AND SOSHOKU^|^rdquo; (1937)
  • - The amplification on comments to Cyureito and works of tombstone and statue pedestals in the early Showa period -
  • －昭和初期の墓碑・銅像台座の作品と忠霊塔の造形意匠に対する言説に敷衍して－

抄録

This paper examined Hideto Kishida's Formative ideas in Architecture Design in the early Showa period by analyzing the principles and various aspects, found from his lecture manuscripts, comments to Cyureito (the monumental tower to the faithful died in battle) and works of tombstone and pedestals of bronze statues in the same period. Strong feeling to the elementary geometry can be felt with use of aesthetics principles, such as symmetry, balance and repetition, and by quoting trials of advanced arrange theory (“Dynamic Symmetry” advocated by Jay Hambidge) to the three‐dimensional and expression of modernism architecture, the attitude to apply those to the architecture can be recognized. A technical point of view was insufficient in explanations of modernism. Also Kishida did not reject the continuity from the past, and he intended to exchange with tradition. Against “Kochiku”, emphasis on “Kosei” came to the surface, and most of the ideas for architecture matched with Le Corbusier's statement in “Toward an Architecture” (1923).

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