THE MEANING OF PRACTICING CALLIGRAPHY IN THE WRITTEN WORKS OF ARCHITECT SEIITI SIRAI
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- HATO Kosuke
- Assist. Prof., Dept. of Architecture, Faculty of Engineering, Shinshu University, D. Human and Environmental Studies
Bibliographic Information
- Other Title
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- 建築家・白井晟一の著作にみる習書の意味
- 建築家・白井晟一の著作にみる習書の意味 : 伝統論との関連に着目して
- ケンチクカ ・ シライセイイチ ノ チョサク ニ ミル シュウショ ノ イミ : デントウロン ト ノ カンレン ニ チャクモク シテ
- The meaning of practicing calligraphy in the written works of architect Seiichi Shirai: Focusing on the relation to the Theory of Tradition
- 伝統論との関連に着目して
- Focusing on the relation to the theory of tradition
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Description
While Seiiti Sirai was an architect, he spent a lot of time practicing calligraphy in his last years. Comparing the features of this activity with his theory of tradition, it can be said that both of his intentions are similar. In addition to the commonality of attaching importance to “utility,” according to the theory of tradition, the concept of grasping the inner potential of an object without being misled by its external form and source, can be realized by the “ascetic practices,” which can make something exceed consciousness and form by practicing calligraphy.
Journal
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- Journal of Architecture and Planning (Transactions of AIJ)
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Journal of Architecture and Planning (Transactions of AIJ) 81 (719), 179-186, 2016
Architectural Institute of Japan
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Details 詳細情報について
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- CRID
- 1390282679756799872
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- NII Article ID
- 130005122505
- 210000185356
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- NII Book ID
- AN10438548
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- ISSN
- 18818161
- 13404210
- 24758876
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- NDL BIB ID
- 027014011
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- Text Lang
- ja
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- Data Source
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- JaLC
- NDL Search
- Crossref
- CiNii Articles
- OpenAIRE
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- Abstract License Flag
- Disallowed