近世京都の楽器職人と楽器商の系譜

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書誌事項

タイトル別名
  • Genealogy of musical instrument makers and their business in the early modern Kyoto
  • 近世京都の楽器職人と楽器商の系譜--地誌類による
  • キンセイ キョウト ノ ガッキ ショクニン ト ガッキショウ ノ ケイフ チシ
  • A study from topographical resource
  • 地誌類による

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抄録

This research is focused on makers of musical instruments in Kyoto and their business in the Edo period. I tried to clarify the lineage of those makers and their business from records in genealogical materials. At present, we have many questions about the traditional musical instruments in the Edo period both from the historical viewpoints and of the profile of the people who make and modify those instruments, and how they do it. On these points, many things still remained open questions.<br>We are nearly impossible to image up an instrument made early in the modern period in a specific genre of the music. And it also difficult to find the authentic instrument from the Edo period. This is just a milestone of the research for these problems.<br>I would like to point out and emphasize the importance of such an old topographical book, “Kyoto Edo Osaka meisho-annai” (guide book for famous place in Kyoto, Edo and Osaka) or “Kyo-habutai” or “Kyo-habutai Taizen” which include important informations of musical instrument makers as historical resources.

収録刊行物

  • 東洋音楽研究

    東洋音楽研究 1998 (63), 57-76,L5, 1998-08-20

    社団法人 東洋音楽学会

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