書誌事項
- タイトル別名
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- KISHIDA Kunio's Wartime Play: On the Two Versions of <i>Kaeraji-to</i>
- 岸田國士の戦争劇--『かへらじと』の認可脚本をめぐって
- キシダ クニオ ノ センソウゲキ カ エ ラ ジ ト ノ ニンカ キャクホン オ メグッテ
- ―『かへらじと』の認可脚本をめぐって
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抄録
<p>KISHIDA Kunio (1890-1954), “Japan's finest prewar playwright” (J. T. Rimer), published a great deal of critical writings on shingeki (the modern Japanese theatre) in order to improve it. In 1936 he began to write as “a fundamental manoeuvre” on Japanese society or culture in which the theatre itself is born and fostered. It was a time when Japan was getting deeply involved in the war with China, which was leading to the Pacific War. Kishida, well versed in European culture, proposed that, in order to defend his country and win the war, traditional Japanese virtues must be revived as “her own humanism” and “culture as strength” be built. His only wartime play Kaeraji-to (I Shall Not Return, 1943) was written for Nihon idô engeki renmei (Japan Mobile Theatre League) based on this conviction.</p><p>In the play Kishida tried to create “humanism” through the protagonist's way of living/dying so that it would have a universal truth. Despite his “patriotism,” however, the army authorities claimed that the play ridiculed the Imperial Army and they rebuked the magazine for carrying it. Consequently, it was revised as an “authorized script” by an unknown person for the Theatre League's first performance in Tokyo. This paper compares the two versions and makes it clear how Kishida's “play as strength” was diluted.</p>
収録刊行物
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- 演劇学論集 日本演劇学会紀要
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演劇学論集 日本演劇学会紀要 49 (0), 27-51, 2009
日本演劇学会
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詳細情報 詳細情報について
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- CRID
- 1390282680742917120
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- NII論文ID
- 130006308242
- 40016870097
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- NII書誌ID
- AA1173174X
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- ISSN
- 21897816
- 13482815
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- NDL書誌ID
- 10467358
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
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- 抄録ライセンスフラグ
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