The Resistance of Dolls: Motifs in Hanada Kiyoteru's “Mineral-ism” and his Vision of Revolution
-
- FUJII Takashi
- 愛知大学
Bibliographic Information
- Other Title
-
- 〈人形〉のレジスタンス
- 〈人形〉のレジスタンス : 花田清輝の〈鉱物中心主義〉的モティーフと〈革命〉のヴィジョン
- 〈 ニンギョウ 〉 ノ レジスタンス : ハナダ キヨテル ノ 〈 コウブツ チュウシン シュギ 〉 テキ モティーフ ト 〈 カクメイ 〉 ノ ヴィジョン
- ――花田清輝の〈鉱物中心主義〉的モティーフと〈革命〉のヴィジョン――
Search this article
Abstract
<p>In his essay Don Juan Ron (“On Don Juan”) (1949), Hanada Kiyoteru asserts that modernity cannot be overcome without a paradigm shift from humanism to “mineral-ism.” As if to defy his contemporaries, then in the midst of a heated debate on subjectivity, the aim of which was to reestablish the subjectivity of the alienated postwar individual, Hanada emphasized the need to “perceive one's self as non-ego, an object, a physical entity,” (Waga Buttaishugi). Under the rubric of “mineral-ism” he presents a variety of motifs on this theme, such as the automaton, the moving statue, or the proletariat transformed into objects. In this paper, I use the image of human-into-object, which appears to belong to alienation theory, to fully explore Hanada's vision of revolution, which he constructed through non-ego subjects, such as dolls, and to reexamine the possibilities of his revolutionary vision.</p>
Journal
-
- Modern Japanese Literary Studies
-
Modern Japanese Literary Studies 95 (0), 49-64, 2016
Association for Moedern Japanese Literary Studies
- Tweet
Details 詳細情報について
-
- CRID
- 1390282680743803136
-
- NII Article ID
- 130006203227
-
- NII Book ID
- AN00353904
-
- ISSN
- 24241482
- 05493749
-
- NDL BIB ID
- 027734135
-
- Text Lang
- ja
-
- Data Source
-
- JaLC
- NDL
- CiNii Articles
-
- Abstract License Flag
- Disallowed