The Background and Style of the Picture Scrolls in the Muromachi Period : From Tosa-Yukihiro to Tosa-Mitsunobu and Tosa-Mitsumochi(<Special Issue>The Backgrounds of the Production of Medieval Literature)
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- Takagishi Akira
- 東京工業大学
Bibliographic Information
- Other Title
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- 室町絵巻の環境と表現 : 土佐行広から土佐光信・土佐光茂へ(<特集>中世文学を生み出す環境)
- 室町絵巻の環境と表現--土佐行広から土佐光信・土佐光茂へ
- ムロマチ エマキ ノ カンキョウ ト ヒョウゲン トサユキヒロ カラ トサミツノブ トサミツモチ エ
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Description
In this article I will trace the change of style in the landscapes represented in the picture scrolls by the Tosa School artists of the Muromachi Period. In the early fifteenth century Tosa-Yukihiro mixed the conventional images of scenes into a landscape without sketching any actual place. But in the late fifteenth century, unlike his predecessor, Tosa-Mitsunobu sketched places before working on his scrolls. In the mid-sixteenth century Tosa-Mitsumochi adopted a more modern method; he placed himself in the middle of landscape so that he could represent it in a more effective perspective.
Journal
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- Japanese Literature
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Japanese Literature 58 (7), 41-48, 2009
Japanese Literature Association
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Details 詳細情報について
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- CRID
- 1390282680758152448
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- NII Article ID
- 110010027832
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- NII Book ID
- AN00197092
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- ISSN
- 24241202
- 03869903
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- NDL BIB ID
- 10372775
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- Text Lang
- ja
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- Data Source
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- JaLC
- NDL
- CiNii Articles
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- Abstract License Flag
- Disallowed