「マリン・スタイル」土器の起源 : 「海中の構図」形成における「バロック風三枚葉状岩の画家」の役割

DOI Web Site

書誌事項

タイトル別名
  • The Origin of the Marine Style Pottery : The Role of a 'Trefoil Rock-Work Master of Baroque Style' in the Formation of Submarine Composition
  • 「マリン・スタイル」土器の起源--「海中の構図」形成における「バロック風3枚葉状岩の画家」の役割
  • マリン スタイル ドキ ノ キゲン カイチュウ ノ コウズ ケイセイ ニ オケ

この論文をさがす

抄録

The aim of this paper is to describe the formation of the submarine composition which characterizes the Marine Style (MS) pottery of the Late Minoan (LM) IB period First, a marine motif of ten forms of 'units of scenery' is described and related to octopus and nautilus motifs Here, examples are restricted to Cretan provenance and to representations of Type A and B for both motifs, indicative of the earlier stage of the LM IB period After close examination, these Types (as main motifs) are seen to be painted with 'units of scenery' formed from six subsidiary motifs related to four (diagram 1) Second, the effect on MS submarine composition by syntaxes of pottery and other media of the Pre-MS periods is discussed At first, however, it is necessary to clarify what the syntax of MS submarine composition actually is In short, the latter signifies a decorative space formed of a marine motif and 'unit for scenery' filling any space left by the main motif (pls 1-2 and figs 1-3) Compared to the syntax of other media of the Pre-MS periods, the syntax of the MS is in conspicuous contrast to a space organically formed by a main motif and 'unit of scenery' such as the rock motif (figs 4-6) Third, the factors that played a definitive role in the formation of the MS submarine composition are discussed Here, the argument turns to the MS decoration itself Of the four motifs-trefoil rock-work, triton-shells, sea urchins, and the scale-pattern-trefoil rock-work is mainly discussed in tracing out the chronological development Based on close examination, the motif is typologically classified into five types, of which IΑ, IΒ, and IΓ are described below (pl 3) However, the former two types cannot be regarded as indicative of the earlier stage of the LΜ IΒ period (diagrams 2-3) On the other hand, though, Type IΓ was seen in both the early and advanced LΜ period (diagram 4) However, the Baroque version of this type signals the earliest stage of the LΜ period since the latter occurred only with the Type A octopus (pl 4) Moreover, the author already argued elsewhere that the production of this version might be attributed to the hand of a 'Trefoil rock-work master of Baroque style', one of the fourteen painters who undertook to produce the MS wares Therefore it may be concluded that the submarine composition of MS decoration had first been produced by a master in the LM period

収録刊行物

詳細情報 詳細情報について

問題の指摘

ページトップへ