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- AKEDO Shin-ya
- soundscape designer
Bibliographic Information
- Other Title
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- 六孔尺八と八十四調の関係
- ロクコウ シャクハチ ト ハチジュウヨンチョウ ノ カンケイ
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Abstract
This article reconsiders the temperaments and origin of the shakuhachi pipes (尺八; chiba) preserved at the Hôryû-ji Temple, as well as those of the eight specimens owned by the Shôsô-in Repository.<br> A six-holed shakuhachi, which could play a heptatonic scale, was formerly considered an instrument exclusively used for engaku (燕楽; yanyue: music and dance developed for palace banquet entertainment in the Tang dynasty). However, Akedo (2013) indicated that the shakuhachi preserved at the Hôryû-ji Temple have existed since prior to the Tang dynasty. It is therefore necessary to consider the eighty-four modes theory, based on the heptatonic scale, which was proposed for gagaku (雅楽; yayue: ancient Chinese court music) by ZHENG Yi (鄭訳: 540-591) in 568. <br> Through an examination of archival documents and existing data on the temperaments of preserved six-holed shakuhachi, this article suggests that these shakuhachi were invented to put the theory of the eighty-four modes to practical use during the Sui and Tang dynasties. Temperaments such as the whole tone scale of the shakuhachi preserved at the Hôryû-ji Temple indicate that it can play all eighty-four modes on this instrument through the technique of closing finger holes by half. Additionally, based on the temperaments of the instruments in the Shôsô-in Repository, it is valid to suppose that LU Cai (呂才: circa 600-665) invented the twelve shakuhachi after the Tang court adopted the theory in 626. <br> Furthermore, the three types of pipes gifted to Japan by Baekje's king Uija-wang (義慈王: 599-660) can produce all twenty-eight secular modes by applying ten fingerings to each pipe. It therefore seems natural to conclude that the twenty-eight modes were established before the bestowal, and Japan learned this mode system through Baekje.
Journal
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- ONGAKUGAKU: Journal of the Musicological Society of Japan
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ONGAKUGAKU: Journal of the Musicological Society of Japan 62 (1), 14-30, 2016
The Musicological Society of Japan
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Details 詳細情報について
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- CRID
- 1390282680791326592
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- NII Article ID
- 130007051832
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- NII Book ID
- AN0003443X
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- ISSN
- 21899347
- 00302597
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- NDL BIB ID
- 027689476
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- Text Lang
- ja
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- Data Source
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- JaLC
- NDL
- CiNii Articles
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- Abstract License Flag
- Disallowed